Tragedy, Closure, and Society: Agamemnon.

The guy gets the girl. The poor man wins the lottery. The orphan gets a alkali. They lived happily ever after. Americans are so used to endings that provide closure and warm, fuzzy feelings, that it is difficult to understand the appeal of a tragical ending. For the Greeks, the ending that does not provide that same satisfaction as the adroit ending is what brings them back for more. In a parliamentary law so engaged in the theater and the arts, those endings that are left field over(p) open to interpretation, or those that provoke emotions of shock and pity, are the tough luck setups and movie trailers of our baseball club today. Different facets of Greek society have the appearance _or_ semblance in their fine arts, and the people enjoyed seeing their effortless lives pictured on stage. The lives of the Greeks were not entirely happy, and therefore the scenes that depicted their lives as blemish characters are not what present-day Americans call happy either. tragic endings frequently occurred in real life; companions would fray and lastly one would prevail, causing harm and suffering to his brother and the family. This undying cycle of tragedy in Greek society was not the only way of life, but it is an important spirit of their superannuated culture.

What appeared on the stage accurately illustrated certain part of everyday life, while also adding the frolic that excites the audience to this day. These bits of drama that were consolidated with reality included appearances of the gods, miracles, oracles, over-exaggeration and larger-than-life heroes. One much(prenominal) hero, the great powerfulness Agamemnon, is a tragic hero with the unwan ted fate that causes Americans to shudder. I! n the Aeschylus tragedy Agamemnon, the title character is compel to sacrifice his possess daughter for good fortune in war. When he returns home from the horrors of war... If you want to get a to the full essay, order it on our website: OrderEssay.net

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